The French Connection Hello

The French Connection hello

With his five Oscar wins for this film, William Friedkin made a name for himself as a talented director in the wake of his acclaimed debut Shaft. But he also made this movie one of the best crime movies ever made, and it's no surprise why: Gene Hackman and Fernando Rey are first rate, the script by Ernest Tidyman ('Shaft') is good, and Friedkin uses some really innovative filmmaking techniques to make The French Connection a classic.

The French Connection is about cops whose job it is to stop the flow of heroin into New York from France. It's a tough cop movie that's also a character study and never lacks suspense or action.

It's also a great example of The french connection hello realism, which is a rare thing in a cop movie. We get a real sense of the grimness of the streets and of New York, and it's all brought to life by Owen Roizman's photography, which soaks up colour in patches that resemble a Rauschenberg painting.

In terms of realism, The French Connection is a bit like Bullitt. Both films feature a policeman who is ruthless, but whereas Bullitt takes a more sympathetic approach and doesn't allow for the brutality to become an endpoint, The French Connection uses it as a means of heightening the realism of the film.

This realism is further enhanced by the fact that most of the action and dialogue is played with a lot of noise, rather than music. This makes it easier to hear the characters talk, and allows the audience to focus on the action without distractions.

But it's not just about realism, but about how the characters communicate with each other, too. This is especially true of Doyle and Russo, who are such a strong team that they can easily be forgiven for their sometimes unseemly methods.

Another important factor in the film's realism is its use of camerawork, which allows us to get an immersive look at the street level, the subway tunnels and the tenements. This can sometimes be an overkill for a sleazy detective story, but it works in The French Connection.

The camera is used to show us the way people move in and out of buildings, the stench of the sewers and the smell of decaying tenements, the plight of street kids who don't even know they're being watched. It's also used to show the crowds in the subway, which gives us a glimpse of real people who aren't acting as extras but who have a stake in what happens onscreen.

It's this kind of immersion that helped the film achieve its iconic status. The French Connection won the award for Best Picture at the Academy Awards in 1971 and was nominated for Best Actor and Supporting Actress.

The French Connection is an essential movie for fans of American thrillers, especially ones that are based on real events. It's also a great film for anyone who wants to learn more about the history of the drug trade and the law enforcement efforts that were put into fighting it.